Thursday, January 27, 2011
Bound Hearts
Thursday, January 13, 2011
Art is...You (and what that means to me)

Greetings and Happy New Year to you and yours!
Perhaps some of you have heard of the art retreat called Art is...You which is coming this fall to the west coast. To Petaluma, California to be exact. The website is live and the schedule is filled with instructors you know, including me, and some new ones so check it out.
I love the three workshops I'll be teaching which include two new ones and the third is a paste paper workshop with some twists added to keep you all on your toes reaching for the next good thing! The first new project is an evening and full day called
Beauty and the Book.

This will be the only major retreat for me after An Artful Journey in February 2011.http://www.anartfuljourney.com/ In June I will be teaching 3 days at The Artist's Nook in Loveland, Colorado. http://www.theartistsnook.net/
Wednesday, December 1, 2010
Good Things
http://albiesmith.etsy.com
It amazes me how long I let myself do things the hard way. All these years I have been working with paper and drying it on every horizontal surface I could find, mostly the floor. All that bending and making sure the paint didn’t get where it shouldn’t. Finally I broke down and bought a paper drying rack. I don’t have space for the big one I wanted so my criteria was that I had to be able to move it around and the shelves had to be flat, not at a slant so if there was a lot of soupy paste on the paper it wouldn’t drip. I decided on a portable table rack thinking I could keep it in the garage and carry it into the studio when I needed it. But it’s a bit heavy for me and awkward to carry so I wound up buying a cute red utility cart from Harbor Freight for it to live on. (The cart is a whole other story.)
My smart friend, Barbara, came up with hooking a bungee cord on to hold the shelves up so that two hands are enough.
I bought my rack from http://www.dickblick.com/products/double-sided-tabletop-rack/
It was about $175 with the shipping and it is worth every dollar.
The other tool I bought this year is a tear bar. They call it a draftsman straight edge at Talasonline.com (this is a great place to get gorgeous book cloth too) http://apps.webcreate.com/ecom/catalog/product_specific.cfm?ClientID=15&ProductID=27890 I think www.danielsmith.com has them too.
Okay, this last one isn’t a tool, it is paper and a recent addition to stuff I have to have. Mostly I sourced this so that there is a paper that is readily available to my students who want to make paste paper at home. It isn’t as heavy as what I usually use but it works fine. It doesn’t have as much wet strength as the Superfine #100 I use but if you don’t work it to the point that it weakens and tears I think you will be happy with it. And it is inexpensive. It is Utrecht drawing paper, #70, 12” x 18” and comes in a pack of 100 sheets for $10.99.
http://www.utrechtart.com/dsp_view_product.cfm?item=70694
Winter is on the way and it is a great time to get into your workroom and dive into all those art supplies you had to have but never used. Invite a friend over and share the bounty. Enjoy the freedom and play.
Tuesday, November 16, 2010
First Studio Workshop!
Anyway, back to the workshop. Everyone had slightly different goals they wanted to focus on but one thing was in common and that was they all wanted to make lots of paste paper. So we started mixing the paste and the colors. The challenge I presented was that they tweak each color and not use it straight out of the tube. This led to some fabulous colors. Unfortunately we made so many choices and didn’t keep track of what we mixed with what so some colors were impossible to duplicate. No one but me seemed to be bothered by this. There was a fabulous grey, brown, with a purple tone that I made that everyone loved. When I tried to replicate it we wound up with about 5 different grey black mixes that were nowhere near as interesting. I will be making a lot of paste paper with shades of black in the next few days.
All three women are people I have worked with before and they wanted to do more surface design techniques and book binding. So we chose two books to start with; the one I call Sculpture or Book and the Episodic Journal.
What I enjoyed about working with only three people is that we could spend time concentrating on whatever particular thing they wanted to learn. The feeling of satisfaction is huge for me as an instructor when I see the progression in someone’s work. When they feel their time and resources were well spent and when they love their creations, well, it’s the best.
My plan is to have several of these workshops throughout the coming year. In warm weather there will be handmade paper workshops out on the deck!
So let me know if you’re interested in coming to Jacksonville and playing in the color with me. It just takes three people to make a workshop. albiepapersmith@gmail.com
I will be posting my 2011 teaching schedule for the events I travel to soon. There will be some new venues along with some tried and true.
Sunday, September 12, 2010
THE SKETCHBOOK PROJECT 2011
The first person to alert me to The Sketchbook Project was Diane Oswald, who I met in my workshops in Hampton, Virginia both years I taught there. Her blog entry on the work she did in my classes is worth checking out for sure.
http://mylittlecraftyworld.blogspot.com/search?updated-max=2010-06-17T07:00:00-04:00&max-results=10
So anyway, I looked at the Sketchbook Project on line and was very interested. But at the time was so immersed in the remodeling project here at the house I couldn’t imagine taking on anything else. Well, The Sketchbook Project 2011 http://arthousecoop.com/ kept being suggested to me and I guess it was like the hundred monkey thing and I found myself emailing people and suggesting they do it and suddenly I had to also. Last time I checked there were over 16,000 people participating. So I signed up and even signed up a friend for her birthday present. My hidden agenda is that when the sketchbooks go on tour and appear in San Francisco my friends and I will have the perfect reason to spend some together there.
I have moved into the house. And on Friday we initiated the studio space doing paste paper. It was a magical day for me. Ignoring the many boxes that need unpacking, the piles of stuff I have accumulated that I have no space for in this little house I dove into the color and played for hours. It was one of those days that just flowed. No struggle.
There is still work to do on the house, especially on the exterior but it is quite livable. And Stella the incredible cat and I love it here. We have lots of trees and space outside, a beautiful new deck and much less traffic in this neck of the woods. At some point I will post some photos. Promise. But now I must concentrate on getting ready for teaching and vending at Art & Soul in Portland in October.